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Rudi Schneider
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Rudi Schneider (27 July 1908 1957), son of Josef Schneider and brother of Willi Schneider, was an Austrian spiritualist and Physical Medium. His career was covered extensively by the journal of the American Society for Psychical Research, and he took part in a number of notable experiments conducted by paranormal researchers/debunkers, including Harry Price, Albert von Schrenck-Notzing and Eric J. Dingwall. Some of which declared him to be a fraud, and others of which were unable to find evidence of trickery. Schneider began participating in Seances with his elder brother Willi Schneider at age 11, at which he claimed to be channeling the spirit of Olga Lintner, a persona previously used by Willi. He held his first solo seance in 1919 and is said to have been able to summon the ghostly image of a human hand, as well as a number of other manifestations that are traditionally associated with seances. Schneider began giving demonstrations to the Vienna Institut fur Radiumforschung der Academic der Wissenschaffen in 1923.

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Stand: 06.04.2020
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Rudy Pompilli
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High Quality Content by WIKIPEDIA articles! Rudy Pompilli (born Rudolph Clement Pompilii, Chester, Pennsylvania April 16, 1924 (many sources say 1926) died February 5, 1976) was an American musician best known for playing tenor saxophone with Bill Haley and His Comets. Bill Haley's longest-serving musician, Pompilli began working with Haley in September 1955 and was still a member of The Comets at the time of his death more than 19 years later. Occasional sources spell his first name as "Rudi" however Pompilli himself never used this form. Pompilli, who was also skilled at playing the clarinet, and worked with jazz bands prior to joining Haley's group. In 1953 he was with the Ralph Marterie Orchestra, which scored a hit with a cover version of Haley's "Crazy Man, Crazy", though according to Haley (in on-stage discussion recorded for the 1969 album, Bill Haley's Scrapbook), the young horn player had a dislike for rock and roll musicians. Research conducted by Haley historian Chris Gardner for a February 2006 article on Pompilli for Now Dig This magazine resulted in no evidence being found that Pompilli performed on the Marterie's version of "Crazy Man, Crazy".

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Rudi Koertzen
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Rudolf Eric Koertzen (born 26 March 1949) otherwise known as Rudi Koertzen is an international cricket umpire. His name is pronounced / k ts n/ in English. Koertzen was born in Knysna in Cape Province, South Africa. A cricket enthusiast since his youth, Koertzen played league cricket while working for South African Railways. He became an umpire in 1981. His "slow death" style of indicating that a batsman is out makes him at once recognisable anywhere in the cricket world. He officiated in his first One Day International match when South Africa played India at Port Elizabeth on 9 December 1992, and in his first Test match during the same tour, when South Africa played India at Port Elizabeth on 26-29 December 1992. This series was also the first in which television replays were used to assist with run out decisions.

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Stand: 06.04.2020
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Nexus Network Journal 13,1. Vol.13/1
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The Spring 2011 (vol. 13 no. 1) issue of the Nexus Network Journal features eight papers that resulted from the 2010 Nexus conference section on Shape and Shape Grammars. Guest editor Lionel March provides an introduction for the entire group. The papers were selected to spread themes as widely and representatively as possible. George Stiny provides a keynote paper with theoretical insights, while other papers range from pedagogical applications in the architectural studio to shape language and style in classical Chinese architecture, from shape grammars and descriptions used to ‘decode Alberti’, to their use as an aid to the rehabilitation of housing stock in Lisbon, from the creation of a design system involving a parametric shape grammar with descriptions to generate urban block layouts within a defined spatial region, to a novel example of a kinetic shape grammar simulating human body movements. Among the authors are George Stiny, Mine Özkar, Andrew Li, José Duarte, Rudi Stouffs, Mario Krüger, Filipe Coutinho, José Beirão Alexandra Paio, Benamy Turkienicz, Sara Eloy, Maria da Piedade Ferriera, Duarte Cabral de Mello, and others.

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